
"You" plunges readers into Joe Goldberg's obsessive mind, where romance becomes stalking in the digital age. Stephen King endorsed this thriller that spawned Netflix's cultural phenomenon, forcing us to confront an uncomfortable question: why do we secretly root for the villain?
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Love at first sight. That's what Joe Goldberg believes he experiences when Guinevere Beck walks into his New York City bookstore. She browses the fiction section with careful grace, pays with a credit card that reveals her name, and smiles as she leaves. A perfectly ordinary encounter-except in Joe's mind, it's destiny. Within hours, he's found her on social media, located her apartment, and begun watching her through her perpetually uncurtained windows. Joe doesn't see himself as a stalker. He's a romantic, a protector, a man who understands Beck better than she understands herself. "You walk into the bookstore and you keep your hand on the door to make sure it doesn't slam," he narrates. "You smile, embarrassed to be a nice girl, and your nails are bare and your V-neck sweater is beige and it's impossible to know if you're wearing a bra but I don't think that you are." What makes this opening so chilling isn't just Joe's invasive observations-it's how familiar his thinking feels. Haven't we all Googled someone before a first date? Haven't we all constructed narratives about strangers based on fragments of information? Joe's behavior is an extreme version of commonplace curiosity, and that's what makes him so disturbing. He doesn't just cross boundaries; he doesn't believe they exist at all.
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