
A psychological thriller that made history as the first debut novel in 12 years to hit #1 on the NYT bestseller list its first week. Stephen King and Gillian Flynn praised this agoraphobic woman's twisted journey that even Janet Maslin called "Rear Window with a dose of Girl on the Train."
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Anna Fox hasn't left her Harlem brownstone in ten months. Her days follow a predictable rhythm-waking late, mixing prescription medications with generous pours of merlot, and watching her neighbors through her camera's powerful zoom lens. A child psychologist by training, she now counsels fellow agoraphobics in online forums while her own world shrinks to the dimensions of her five-story home. The neighborhood unfolds before her like living theater: Rita's afternoon rendezvous with her contractor, the Gray Sisters' book clubs, the Takeda boy practicing cello at 4 PM. Her controlled environment is punctuated by scheduled interventions-Bina's physical therapy sessions, French lessons with Yves, and therapy with Dr. Fielding, who employs cognitive techniques to help her reclaim her freedom. The painful separation from her husband Ed and daughter Olivia manifests in regular calls filled with longing. "I wish you were here," she tells Ed, whose careful response about needing more time suggests deeper complications. Her drinking has become more than habit-it's a coping mechanism that blurs the edges of her confinement while simultaneously reinforcing it. Through her lens, she observes others living while gradually losing touch with her own life-becoming more observer than participant in the human drama unfolding around her.
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