
When a crime reporter's brother commits suicide, he uncovers a serial killer targeting cops. Stephen King called "The Poet" Connelly's "best work" - a rare three-page endorsement for this Edgar Allan Poe-inspired thriller that swept major mystery awards in 1997.
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"Death is my beat." These words open the chilling journey of Jack McEvoy, a crime reporter whose professional detachment shatters when his twin brother Sean, a homicide detective, apparently commits suicide. For years, Jack has approached murder stories with the clinical precision of an undertaker-"somber with the bereaved, a skilled craftsman when alone." But when two detectives arrive with news of Sean's death, everything changes. The official story: Sean shot himself at Bear Lake, leaving behind a cryptic note reading "Out of space. Out of time." Sean had been investigating the brutal "White Dahlia" murder of college student Theresa Lofton, found cut in half in Washington Park. His last words to Jack about the case: "This one is bad, Jack. I can't stop thinking about it." In the aftermath, Jack retreats to the Rockies, skiing and drinking, trying to exhaust his body so his mind might follow. But nagging questions persist-why didn't Sean reach out? What pushed him over the edge? And most disturbing-why does something about Sean's suicide feel wrong to Jack's reporter instincts? When Jack returns to work, he feels his colleagues watching him. He holds the job every reporter wants-freedom to write about murders without daily deadlines. But now, death has become personal, and the professional distance that defined his career has vanished, replaced by a growing obsession to understand what really happened to his brother.
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