
In Kathleen Grissom's New York Times bestseller, an Irish orphan navigates life among enslaved people on a Virginia tobacco plantation. So vividly written that readers report dreaming they're "stuck in the pages" of this unforgettable, award-nominated historical journey through America's painful past.
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In 1791, seven-year-old Lavinia McCarten awakens on a Virginia tobacco plantation called Tall Oaks, her memories fragmented after months at sea. Recently orphaned, this Irish girl has become an indentured servant, assigned to work in the kitchen house under Belle, a young enslaved woman who is startled to discover Lavinia is white. Malnourished and traumatized, Lavinia struggles until Mama Mae, the plantation's maternal figure, nurses her back to health with chicken broth and tender care. As Lavinia recovers, she forms deep bonds with the enslaved community, particularly Mama Mae's family. Papa George declares, "I think I just got me one more baby girl, and I'm gonna call her Abinia." When memories of watching her parents' bodies being lowered into the sea resurface, Mama Mae comforts her: "Mama's here." Though Lavinia lives among the enslaved community, her whiteness creates an invisible barrier. Mama Mae gently explains this reality: "While they'll always be my family, I'm on the winnin' side and might one day look out for them." This dual identity-belonging emotionally to the Black community while being destined for white society-creates the central tension that will follow Lavinia throughout her life. How do we navigate belonging when society insists on dividing us by the color of our skin?
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