
A hospital bed. Boxing Day. Amber Reynolds is conscious but paralyzed - and someone's lying. This award-winning psychological thriller with its masterfully unreliable narrator became Feeney's breakout debut, earning comparisons to "Gone Girl" while exploring darker truths about trauma and deception.
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"My name is Amber Reynolds. There are three things you should know about me: I'm in a coma. My husband doesn't love me anymore. Sometimes I lie." With these chilling words, we're thrust into a nightmare scenario - being fully conscious yet unable to move or communicate. Amber lies in a hospital bed, trapped in her own body, experiencing what medicine calls locked-in syndrome. She can hear everything: the steady beep of machines, nurses discussing her condition as if she weren't there, and most disturbingly, her husband Paul's visits. Through Amber's internal monologue, we experience her mounting terror. When nurses call her "poor love" and "what a mess," her silent scream - "My name is Amber Reynolds!" - highlights her desperate need to assert her identity while being treated as an object. But it's Paul's visits that truly disturb her. Something about his cologne seems stronger than usual, his voice carries an unfamiliar edge, and there's a slight tremor in his hand when he touches her face. "I can't remember what happened," she thinks, "but I know with unwavering certainty that this man, my husband, had something to do with it."
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