
Naomi Klein's "No Logo" - the cultural manifesto that became Radiohead's recommended reading and sparked Nike's corporate rebuttal. How did one book ignite a global anti-branding movement, inspire hit songs, and become what The New York Times called "a movement bible"?
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Imagine a world where corporations don't just sell products but lifestyles, where logos aren't just stamps of ownership but badges of identity, and where marketing isn't just about convincing you to buy things but about colonizing your mental space. This isn't science fiction-it's the world Naomi Klein exposed in "No Logo." When the book appeared in 1999, it struck such a profound cultural nerve that it became the unofficial handbook for the anti-globalization movement. What made Klein's analysis revolutionary wasn't just its critique of corporate power but how it connected the glossy logos we wear to the hidden exploitation they often represent. The late 1980s marked a fundamental shift when companies like Nike and Microsoft discovered they could thrive not by manufacturing products but by creating powerful brand identities. After Philip Morris purchased Kraft for six times its paper value, corporations realized logos themselves could be worth more than physical assets, sparking what Klein calls "a race toward weightlessness"-owning the least, employing the fewest, while producing the most powerful brand images.
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