
In "Amusing Ourselves to Death," Neil Postman eerily predicted how entertainment would consume our discourse. Pink Floyd's Roger Waters named an album after it, while Arctic Monkeys referenced its concepts. Are we living Huxley's dystopia - choosing pleasure over thought?
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Picture a world where the most serious political debates feel like game shows, where news anchors smile through catastrophes, where attention spans shrink by the year. Now stop imagining-you're living in it. Back in 1985, a media theorist saw this coming with startling clarity. His warning wasn't about censorship or government control. It was about something far more insidious: our willingness to entertain ourselves to death. While George Orwell feared a world where books would be banned, this darker prophecy warned of something worse-a world where nobody would want to read one. The difference matters. We've built defenses against tyranny, but what defense exists against our own appetite for amusement? As we scroll through endless feeds, reducing complex ideas to bite-sized content, perhaps no cultural critique has aged more disturbingly well.
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From Columbia University alumni built in San Francisco

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