
In Ava Reid's #1 NYT bestseller, a dark academic fantasy questions who truly authors our stories. What if Shakespeare wasn't Shakespeare? This feminist gothic thriller - inspired by Zelda Fitzgerald's erasure - has readers obsessed with its atmospheric Welsh mythology and haunting revelations.
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In a world where the line between fiction and reality blurs like mist over troubled waters, we meet Euphemia "Effy" Sayre-the only female architecture student at her prestigious Northern college. When she discovers an opportunity to design a manor for the family of Llyr's beloved national author, Emrys Myrddin, what begins as a professional opportunity spirals into a dangerous descent into secrets, identity, and the power of storytelling. The stakes couldn't be higher for Effy. Facing constant prejudice as the only woman in her program, she sees the Hiraeth Manor project as her salvation. But when she arrives in the mysterious Bottom Hundred region, she finds herself in a decaying guest cottage near a manor literally sinking into the sea. The inscription above Myrddin's flooded basement-"The only enemy is the sea"-becomes increasingly ominous as she discovers the house holds secrets far darker than water damage. What makes this journey so compelling is how it mirrors our own struggles with identity. Like Effy, we often build our sense of self around stories we believe to be true. But what happens when those foundational narratives begin to crumble? As she wades deeper into Myrddin's legacy, she'll be forced to question everything-including her own perceptions of reality.
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